DIGM 3351
Assignment 1A
In this first assignment, I used the business card that I had designed for DIGM 2353 using InDesign to implement a QR code with my personal information. In addition, we imported the business card InDesign document by using the step and repeat tool to imposed the business card into 2 pages, one front and one back. The sizing of the grid is 7 rows by 3 columns and the offset is vertical: 2.25 inches, horizontal: 3.75 inches. This assignment was the introduction of QR codes and the sample process of imposition of a document.
Assignment 1B-National Geo VDP
In this assignment we learned about the use of Data Merge in the Utilities section of InDesign. First, we used the National Geographic from DIGM 2353 to create a template that will enable us to incorporate data information given from an excel file. Next we follow the format given and create an address line and QR code. The first PDF file above represents the template for the merged content and the second PDF above shows the final representation of the assignment.
Assignment 2- Yearbook with Data Merge
In this assignment we continued our lesson about the use of Data Merge in the Utilities section of InDesign. First, we used a based template that has the data content and begin our implementation of photos, names, and emails. To import the photos, we used a series of Excel changes to match with the images name in order. The next step is to assemble the photo frame with the Data Source so each image represents the correct person. By linking the Excel file to the Data Merge, we can easily have a consistent format with all the names and data sourced merge on to the content without the need to manually type in each source. This assignment exemplifies the uses of the Data Merge tool and how we can save a lot of time instead of doing everything manually.
Assignment 3- XMP Tutorial
In this assignment, it was the introduction of XMPie and its feature. First we used a template that was provided and started to alter variable data so that each person would have their color designated to their college profession. The most important feature of XMPie is the ability to change the rule to enable a variety of different designs and discount for each person. On the PDF above, both are examples of the variable data we did. The first PDF shows page 6 and the second PDF shows page 11. This assignment is crucial towards the understanding of changing variable data and how it will become the future of print. In addition, this XMPie tutorial sets the foundation for further assignments in this course.
Assignment 4- Bakery Coupon VDP
This assignment is a precedent assignment to the XMPie Tutorial in assignment 3. First we started by using a postcard template for a bakery. Next, we imported the data and apply the variable data on the postcard. In addition, Intelligent Mail codes and QR codes were also implemented. With XMPie, it enables the user to quickly alter the data and applies it to all of the postcard. After we have finished implementing the basic data, we had to apply our branding into the coupon and change the pictures. Above is the representation of my final imposed coupon.
Assignment 5
This assignment is a precedent assignment to the XMPie Bakery Coupon in assignment 4. First we started by creating a base design for our postcard to our future prospect. Next, we had to add 2 more extra data columns to the Excel sheet to fit the requirements. After that, the Excel sheet is linked with XMPie to synchronize any information from the Excel file. In addition, Intelligent Mail codes and QR codes were also implemented. Each of our images and text needed where different by the customer's needs. Moreover, with XMPie, I was able to edit the rule and create a discount codes that varies within the age range created in the Excel sheet. The final step is to add finishing touches to your brand, such as coloring, fonts, and shapes.
Assignment 6- PREPs 32- Page Booklet
Using the program PREPs 7, we practiced on impositions and began implementing our knowledge on a 32-page sample PDF. First we created the stock, 22 inches by 18 inches. Next is to select the Media, which is press sheet size. After which, the naming and the binding of the document has to be inputed. In this case, it is saddle-stiched binding. The fold pattern selected is JDF-F16-6 with the coloration set to K. All trim is set to 0.25 of an inch. The last process step is to input a color bar and then set the text mark which includes your name, signatures and the signature page indication.
Assignment 6- PREPs 8-Page Booklet
Using the program PREPs 7, we continued to practice on impositions and began implementing our knowledge to impose an 8-page booklet. First we created the stock, which is (11.5" x 17.5"). Next is to select the Media, which is press sheet size. After which, the naming and the binding of the document has to be inputed. In this case, it is saddle-stiched binding. The fold pattern selected is JDF-F8-7 with the coloration set to K. After is which we merge the PDF onto the settings to start imposition. The trim size is set to 5 inches by 7.75 inches. The last process step is to input a color bar and then set the text mark which includes your name, class, signatures and the signature page indication.
Assignment 7- Measuring Gray Values
In this assignment, we venture into learning about Grayscale for photos. First we used an Photoshop PSD file to import into an InDesign template and then we start inputing our data collected from Photoshop. To find the data, you must first go to Photoshop and change the color profile into Dot Gain 20% and that will turn the image into Grayscale mode. The next step is to open the Info Panel on Photoshop to find the K values, in which K is black. The higher the K value, the darker the black will be. The following step is to input the K values onto the InDesign document, and find the R values by using R=(100-K)/100, and finally to find the Density you must use D=log(1/R). The assignment taught me to understand the importance of different tonal values of that in a black and white image, only the color black is used. Moreover, it is important to understand that the K value cannot be 100% as it would not be able to give the density.
Assignment 8- Halftone Dots
In this assignment, we learned about how important Halftone Dot is through different types of Halftone series and application. For this assignment, we first used a Demo PDF files with the different color swatches on Photoshop to create different types of halftones. By duplicating the Photoshop file and go into Image, Mode and Bitmap you can choose the type of Bitmap. In this assignment, the two methods that will be used are Halftone Screen and Diffusion Dither. In the Halftone Screen method, there are three variables that you can adjust, such as Frequency, Angles, and Shapes. The first document is Round-dot, 20 LPI, 45°. The second document is Round-dot, 40 LPI, 15°. The third is Elliptical-dot, 20 LPI, 75°. The fourth is Elliptical-dot, 75 LPI, 15°. And fifth, Diamond-dot, 15 LPI, 75°. The last method is Stochastic, which is Diffusion Dither. After, we save the six PSD files and place the document into InDesign.
Assignment 9- Raster vs. Vector Image
This assignment represents two variations of the "cougar" the left side image represent a rasterized version and the right side represent a Vector. To create a rasterized file, you have to use Photoshop. First you have to either upload a Line Art image using a Scanner or then import it to Photoshop. To create vector of the cougar you have to take the image and import into Adobe Illustrator. By using the Image Trace tool you can trace the line art image into a vector. As you can see there is a big difference between the quality of the lines between the rasterized version and vector version. This assignment enables us to understand the major differences between a rasterize image and a vector image.
Assignment 10- Dot Gain Measurement
This assignment is the continuation of halftone dots. First we used the student images from the Class folder and begin to change the dot gain using Photoshop. The document on the left represent the photos profile of different students in which they have to set two different Dot Gain profile. To change the color profile, you need to go to Edit then Color Profile and change it into Dot Gain 20%. The each of the left image represent Dot Gain 0% profile and the right image is Dot Gain 20% profile. Notice that at 0% Dot Gain the image is darker, this is due to more dots being place into the image as compare to 20% Dot Gain. The method we used to convert these images is by using Photoshop, after which we alter the profile we can import the PSD document directly into InDesign. By using Photoshop, we need make sure our images are lossless as a PSD file.
Assignment 11-Custom Dot Gain Measurement
In this assignment there are two different Custom Dot Gain we need to adjust, the first one is from Wall-E and the second one is from Jeannie. The each of the left image represent Dot Gain 0% profile and the right image is Custom Dot Gain Wall-E. Notice that at 0% Dot Gain the image is darker, this is due to more dots being place into the image as compare to Custom Dot Gain. By using a Densitometer, we can measure the density of the document. The method we used to convert these images is by using Photoshop, after going to Edit and Convert Profile, we can set a Custom Dot Gain from the recorded data of Wall-E.
The Custom Dot Gain of Jeannie was provided in the Lab Materials folder. However, to find the densities of Jeannie, we would use the densitometer. Afterwards we create a Custom Dot Gain Profile based on the data. The method we used to convert these images is by using Photoshop, after going to Edit and Convert Profile, we can set a Custom Dot Gain from the recorded data of Jeanie. The printed result of the two document above after setting Custom Dot Gain will have an accurate display of the tint of black.
Assignment 12- Tone Target / Correction
In this assignment we first use an RGB image and convert it to Grayscale using Edit and Convert to Profile. First, we set it to the 20% Dot Gain Profile. Next step is to change the Levels to Auto. Then, Auto Levels are adjusted to meet 5%/95% hypothetical minimum/maximum dot size fingerprint. The last two step is to create custom Curves. Curve one is based on a regular S curve with more highlight and shadows. Curve 2 is created using one point on the Midtone of the image. Another process to this assignment is to create a Grayscale image with different types of channels. Using Photoshop, and the Adjustment Panel, then Black and White you can convert the RGB image to Grayscale while maintaining Green, Blue, and Red Channels. With each of the Channel selected we save the file for each.
Assignment 13- Newsletter
With this assignment we used the Newsletter that we had created last semester in Page Layout & Design and add more content with the different types of requirements listed. First I created my Introduction page to introduce myself to the reader and add branding elements to the pages. On Page 5 of the Newsletter, I started to include Line Art Images at 1000 ppi and its purposed explained. Next, which is the continuous tone image, first I used a scanned image and adjusts the contrast and sharpened the image using Photoshop. In addition, vector images are added, I used the line art image I had scanned in at 1000 ppi and convert it into a vector using Illustrator Image Trace tool. Another vector image next to it is the Logo of my brand. The second to the last page of my newsletter includes my styles of Photography. At last, I generated a contact page with a QR Code and my contact number. To finish up this project, you have to do a Preflight Profile which checks for errors of the document. After we have fixed all of our errors we can print out the Preflight report. The last step is to print out the Package Report, which includes the destination of the file links to see if you have any errors.